Qwaypurlake, and surfaces

Art, Ceramics, Exhibition

Two topics to report on this time – the Hauser & Wirth Bruton exhibition Qwaypurlake and my latest experiments in the studio, plus group crit feedback. Let’s start with my visit to the gallery, for a Director-led tour on Saturday 28th November.

The young Assistant Director Lucy MacDonald took us through both exhibitions – the other is a Don McCullin retrospective – pointing out particular exhibits and filling us in on the background to the shows as well as particular pieces. After the tour I just had time to go round for a second look before the gallery closed. The information sheets are also very useful to get more context – and context is needed. This is Contemporary Art. You need to know what the ideas behind each piece or the collection as a whole are about, otherwise you will definitely wonder why beautiful delicate Hans Coper vessels are displayed in the same show as a lump of Bruton clay or some half-burnt candles in the shape of ox bones.

This is H&W Bruton’s first group show, curated by local (Frome) artist Simon Morrissey, and with a title which references the historical landscape of this town. Quaperlake Street is the road to Frome from Bruton, but Simon has re-imagined the Somerset landscape after speculative fiction, creating eerie narratives from the juxtaposition of photographs, sculpture and installations. I was particularly interested in the work of Heather and Ivan Morison, their use of a wide range of materials, the way they are displayed, and the titles of their pieces suggesting an unknown story.

As to my own work, I wasn’t shot down in flames at the Group Crit, but was clearly told I need to start focusing on surfaces and textures for my heads. They seemed to like the new work – large coil-built pots after Sarah Purvey, with oxides and white slip scraped over the exterior.

I have discovered we have a sandblaster in a corner of the kiln room, and had an induction at the end of last week, so I’m looking forward to playing with its possibilities. Also I’ve been ‘drawing’ – a thing I avoid as much as possible due to frustration and anxiety – so far mainly with ink, brush and stick. I have told everyone, including myself, that I’m going to the life drawing sessions on Wednesday afternoons. Scary stuff, but I have to make myself do it. It’s so much easier to be the model…

So here are a couple of the Morisons’ previous works I found, and images of my new pots.


A text piece by Heather and Ivan Morison, 2010. Reminds me of one of my poems.


‘Anna’ by Heather and Ivan Morison, 2012, at Hepworth Wakefield. They displayed a similar ‘egg’ at H&W Bruton with a different title.


large coiled pot after Sarah Purvey, via Linda Starkey… with oxide and slip surface


large coiled pot after Sarah Purvey, via Linda Starkey… with oxide and slip surface




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